Sculpture

Marianne Lovink

September 2000

"Lovink uses the semantics of decorative art, its language of alloveness, its silky finish to get at something beyond the frisson of pure form. Beauty is an aesthetic consequence, not a stylish posture. All her forms possess a kind of body warmth, an erotic mass that is not about sex per se, even though some of her forms have more in common with designer dildos than Duchamp." Kyo MacLear
Curator - Tony Massett.